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\r\n I only work with lost and found – Exhibition text <\/div>\r\n
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I only work with lost and found \u2013 Goldrausch 2024<\/em><\/strong><\/p>\n

August 31\u2013November 3, 2024<\/p>\n

Belia Zanna Geetha Br\u00fcckner, Isabelle Heske, Leonie Kellein, Jeanna Kolesova, Eva-Fiore Kovacovsky, Mizi Lee, Marei Loellmann, G\u00fclsah Mursaloglu, Laura Nitsch, Egle Otto, Evelina Reiter, Noor us Sabah Saeed, Dior Thiam, Cora W\u00f6llenstein, Sofiia Yesakova<\/p>\n

Curated by Mona Hermann and Hannah Kruse<\/p>\n

I only work with lost and found<\/em> brings together recent works by the 15 artists participating in this year\u2019s Goldrausch K\u00fcnstlerinnenprojekt. Despite their diversity, these works are united by themes evoked in the exhibition\u2019s title: cyclical processes of artistic work, as well as examinations of aesthetic, narrative, historical, and political ruptures and continuities.<\/p>\n

Lost and found<\/em> refers to the actions of unlearning and losing, to what is hidden or repressed, and at the same time hints at a wide range of possibilities for rediscovering, intervening, and reassembling. At the heart of many of the artworks on display is an engagement with found materials. The inherent qualities and histories of these materials offer opportunities to identify and rediscover buried knowledge, to critically examine memory and to imagine the future, or even to develop aesthetic or activist strategies within and beyond the field of art.<\/p>\n

Work<\/em>, the successful combination of artistic work and profession, is the core theme of the Goldrausch K\u00fcnstlerinnenprojekt. The one-year program seeks to create equal visibility for the artistic positions of women.* Founded in 1989, it supports women* visual artists in acquiring professional know-how and in bringing their work to the public.<\/p>\n

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Team Goldrausch<\/strong>
\nProject director: Hannah Kruse
\nTeaching coordinator: Veronika Bartelt
\nTeaching assistant & PR: Manon Frugier
\nFinance & Administration: Ulrike Riebel & Klara H\u00fclskamp
\nAssistance: Cheyenne Enneper, Marlene Risse, Toni Suarez Bergmann
\nGraphic design: Rimini Berlin<\/p>\n

Team Kunstraum Kreuzberg\/Bethanien<\/strong>
\nDirector of Kunstraum Kreuzberg\/Bethanien: St\u00e9phane Bauer
\nProgramme coordination: Sof\u00eda Pfister
\nProduction: Kristoffer Holmelund
\nProject assistance: Melina Gentner, Dani Hasrouni, Johanna Jan\u00dfen, Viktoria Weber
\nAdditional staff: Josef St\u00f6hr
\nInstallation: Carlos Busquets, Constanza Carvajal, Em\u00f6ke Samu, Felipe Monroy, Ignacio Rivas, Mark Stroemich,\u00a0 Tibor Horv\u00e1th, Yasmin Nebenf\u00fchr
\nGallery invigilators: Candy Bassas, Jannik Isermann, Josepha Holdenried, Josephine Kn\u00f6ller, Karyna Yarmolynska, Klara Neumann, Lara Jablonski, Laura Seif, Luise Sandberger, Mariano Rosales, Maximilian Kaiser, Polina Piddubna, Sarah Seini, Shiwa Ghanbari<\/p>\n

The Kunstraum Kreuzberg is an institution of the Friedrichshain-Kreuzberg district office.<\/p>\n

The exhibition is a cooperation between the Goldrausch K\u00fcnstlerinnenprojekt and the Department of Culture and History of the Friedrichshain-Kreuzberg District Office.<\/p>\n

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\r\n Anja Pentrop (2011) <\/div>\r\n
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Anja Pentrop<\/h1>\n

2011<\/h2>\n

Through the other Goldrausch artists and the project managers I gained a new vocabulary for my works and an awareness of new interpretations. I\u2019ve become braver, use a broader range of artistic materials, and my technical know-how has been greatly enhanced. Art is still my primary means of support. It was very good to learn how multifaceted and diverse the career paths of visual artists can be. Because art doesn\u2019t have to be unprofitable. I wouldn\u2019t want to do without the network that developed through Goldrausch.<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>\r\n

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\r\n 0 Response<\/a>\r\n <\/div>\r\n
\r\n Christine Woditschka (2006) <\/div>\r\n
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Christine Woditschka<\/h1>\n

2006<\/h2>\n

For me, the Goldrausch year was an absolute benefit: I\u2019ve continued to collaborate with one of the women in my course since we got to know each other at Goldrausch. And it\u2019s often nice to meet other ex-Goldrausch women \u2013 the experiences from that intensive year create extraordinary bonds. Obviously the course is time-consuming, but I always felt it was like having \u201cfixed\u201d office hours in which recurring things like compiling a portfolio, designing a website and so forth could be worked on, and moreover within a shared professional and collegial framework.<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>\r\n

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\r\n Farida Heuck (2004) <\/div>\r\n
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Farida Heuck<\/h1>\n

2004<\/h2>\n

Goldrausch was very important for my self-conception as an artist. My artistic career was going through a transition phase when I participated in the Goldrausch programme. The cohesive group in which I\u2019d done all my previous work was in the process of dissolving. The prospect of realizing projects alone was a particular challenge for me. Through my participation, I gained the self-confidence to initiate projects independently, to carry them out, and to assert my own position as an artist.<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>\r\n

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\r\n Friederike Feldmann (1996\/97) <\/div>\r\n
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Friederike Feldmann<\/h1>\n

1996\/97<\/h2>\n

When does one get the opportunity to get to know 15 women artists (counting myself in), their attitudes and viewpoints, and then also be able to experience \u2013 through mutual discussions during the course of the year \u2013 how these positions change and become more precisely defined? That was the most important experience for me.<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>\r\n

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\r\n 0 Response<\/a>\r\n <\/div>\r\n
\r\n Kerstin Honeit (2011) <\/div>\r\n
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Kerstin Honeit <\/h1>\n

2011<\/h2>\n

Looking back, participating in the Goldrausch project for women artists 2011 was like getting a \u2018goody bag\u2019 filled with the perfect ingredients. The many practical and theoretical \u2018goods\u2019 that I took with me during the Goldrausch year have meanwhile become trusted \u2018tools\u2019 in my daily work as an artist. But to me the best thing about the Goldrausch goody bag is being part of this unique network of so many brilliant artists.<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>\r\n","max_pages":1}