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\n\n \tI only work with lost and found \u2013 Goldrausch 2024 August 31\u2013November 3, 2024 Belia Zanna Geetha Br\u00fcckner, Isabelle Heske, Leonie Kellein, Jeanna Kolesova, Eva-Fiore Kovacovsky, Mizi Lee, Marei Loellmann, G\u00fclsah Mursaloglu, Laura Nitsch, Egle Otto, Evelina Reiter, Noor us Sabah Saeed, Dior Thiam, Cora W\u00f6llenstein, Sofiia Yesakova Curated by Mona Hermann and Hannah Kruse […]<\/a>\n <\/div>\n <\/div>\n<\/div>\n
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\n\n \tA review of our exhibition: I only work with lost and found – Goldrausch 2024 From 31 August to 3 November 2024, our participants presented their work at Kunstraum Kreuzberg\/Bethanien. Further details about the exhibition, including the exhibition documentation and the exhibition film, can be found here. You can view and order the accompanying catalogue […]<\/a>\n <\/div>\n <\/div>\n<\/div>\n
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\n\n \tInfo The Goldrausch project for women artists promotes the careers of outstanding, emerging women artists. It is an independent professional training programme for visual women artists; a one-year postgraduate professional development course, an exhibition and public events take place within its framework. Every year 15 artists can take part in the project. supported by The […]<\/a>\n <\/div>\n <\/div>\n<\/div>\n
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\n\n \tAnja Pentrop 2011 Through the other Goldrausch artists and the project managers I gained a new vocabulary for my works and an awareness of new interpretations. I\u2019ve become braver, use a broader range of artistic materials, and my technical know-how has been greatly enhanced. Art is still my primary means of support. It was very […]<\/a>\n <\/div>\n <\/div>\n<\/div>\n
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\n\n \tChristine Woditschka 2006 For me, the Goldrausch year was an absolute benefit: I\u2019ve continued to collaborate with one of the women in my course since we got to know each other at Goldrausch. And it\u2019s often nice to meet other ex-Goldrausch women \u2013 the experiences from that intensive year create extraordinary bonds. Obviously the course […]<\/a>\n <\/div>\n <\/div>\n<\/div>\n
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\n\n \tFarida Heuck 2004 Goldrausch was very important for my self-conception as an artist. My artistic career was going through a transition phase when I participated in the Goldrausch programme. The cohesive group in which I\u2019d done all my previous work was in the process of dissolving. The prospect of realizing projects alone was a particular […]<\/a>\n <\/div>\n <\/div>\n<\/div>\n
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\n\n \tFriederike Feldmann 1996\/97 When does one get the opportunity to get to know 15 women artists (counting myself in), their attitudes and viewpoints, and then also be able to experience \u2013 through mutual discussions during the course of the year \u2013 how these positions change and become more precisely defined? That was the most important […]<\/a>\n <\/div>\n <\/div>\n<\/div>\n
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\n\n \tKerstin Honeit 2011 Looking back, participating in the Goldrausch project for women artists 2011 was like getting a \u2018goody bag\u2019 filled with the perfect ingredients. The many practical and theoretical \u2018goods\u2019 that I took with me during the Goldrausch year have meanwhile become trusted \u2018tools\u2019 in my daily work as an artist. But to me […]<\/a>\n <\/div>\n <\/div>\n<\/div>\n","max_pages":1}